Leah Ollman writes about the visual arts for the Los Angeles Times, Art in America, Photograph and numerous other publications.
Books and exhibition catalogues featuring her writing include Klea McKenna: Witness Mark, Betye Saar: Serious Moonlight, Alison Rossiter: Expired Paper, William Kentridge: Weighing...and Wanting, Julie Blackmon: Midwest Materials, The Photographs of John Brill, Michal Chelbin: Strangely Familiar, and Camera as Weapon: Worker Photography Between the Wars.